1 - In Wonderful Life Gould hypothesizes
on cultural values, assumptions, and what kind of logic are evident in the
original interpretation of the Burgess Shale, and then the change in thinking
that led to its recent re-interpretation. What model of biodiversity and
evolutionary change does Gould argue resulted in the earlier error in
classifying the Burgess Shale animals? What is the original cultural/historical
source of that model, or what he calls “iconography”?
One reference that reflects
western cultural values is the "scale of nature" or "great chain
of being" which projects evolutionary history as a single, linear process,
marked ultimately by the emergence of (white) man. The iconography of
progress and racism is possessed in the image or Homo erectus.
2 - Notice
that much of Gould’s argument centers on discussing evolutionary tress
(phylogenies) of the kind you constructed on a small scale. At
the end of the chapter we see he is interested in the overall shapes (“topology”)
of the phylogenies. Why? What does he claim that the shape of phylogenies imply
about how evolution happens over long stretches of time that had been neglected
by biologists? What kinds of causal factors alter the course of evolution, the
shape of phylogenies, and the eventual designs of organisms that we see today?
Both the bush and cone model present the idea of
progress with there hierarchal form. The models do not represent a modern understanding
of evolution. As Gould states humans are inherently visual and assume the more important
something is the farther away from the ground. It has been complicated to convey
the paths of evolution. The initial shapes of the cone and bush imply an
increase in population and stagnancy in relation to representing extinction. In addressing phylogenies the factors
are the internal and external body and there sometimes-ambiguous relationship.
2b - Related:
What does it mean to “replay the Tape of Life” and why is this an interesting
idea to Gould? Relate Gould’s preferred model with the views of early
Catastrophists – what would Cuvier (if alive) like and not like about Gould’s
interpretation?
The metaphor
of the cassette tap as an alternative to the cone or ladder .if we think of
time as a tape, something that is constantly being recorded, instead of
something fixed, we can start to really understand evolution. An example of the
tape is the animals in the Burgess Shale. The animals don't fit into
either notions of history and progress and thus diverging are preconceived
notions of the evolution model.
3 - What is
“disparity” versus “diversity”? Give an original example (one not given in the
reading).
Disparity:
White bengle tigers with black stripes, all White bengle tigers, orange sherbet
bengle tigers, melanistic bengle tigers
Diversity:
tigers, lions, panthers
4 - In the
reading Evolution by Walking what
is so interesting about how the American Museum of Natural History has changed
their mammal display? Why is it significant in how we think about biodiversity
in his opinion?
Comparatively to the Chicago
field museum taxidermy halls witch are arranged by geography, the American
Museum of Natural History permanent exhibit of advanced and primitive mammals
is presented in a waking evolution and modern interpretation of family
relationships. This arrangement of biodiversity is important from Gould’s perspective
to satisfy humans need for and understanding of placement to the world that surrounds
them.
ReplyDeleteGould argues the bush is a truer representation than the cone in terms of evolution. You should re-read this section.
I think it might be better to switch your examples of "diversity" and "disparity" to match the meanings more closely.